enlightenment

Ostracized.

That's an interesting word, what do you make of it?

The "ostra" part is from the dawn goddess, and she sees to it that you are excluded from participating in her illusion.

For real?

No, I made it up.

It's a story.

It's what I do.

It comes from a Greek word whereby the Athenians banished citizens for 10 years.

If that was still in play, you would have been banished from Holland Landing for a decade.

Oh, I don't know, you need a legal pretence.

In ancient Greece, it was a public vote.

Well, I might be in trouble then.

The "ost" comes from a word for bone and the German "estrich" refers to pavement.

Well, I don't think they had that gooey oil and cement mix we call pavement.

Why don't we stick with ground?

Okay.

Ground is this reality.

I like that interpretation.

No one will buy it.

That's perfect, then I can keep it to myself.

I stumbled upon something this morning related to my dealings with people who are monsters.

It's to be encouraged to rage at them within the confines of your mind and then let it go.

Externally, you ignore them, but within you can can them names and wish ill will upon them.

That sounds terrible.

I know; however, you allow how you are feeling to be expressed.

It deals with the capacity problem.

That leads to discussing the idea of the ground.

Yeah, you need a body to access the ground.

That's the elegance of this grounded reality.

You need a body for access.

With a body, you get a sense of stability due to the effects of gravity which glues you to a narrow strip of reality which we call the Earth.

It's quite remarkable.

Once you lose access to the body, your ticket is revoked.

Not only that, but they won't let you re-enter.

You must re-apply with a new body.

Now, you can see the danger with psychedelic drugs.

Yeah, you float off from your body into all the adjacent realities and have yourself quite the fantasy trip.

It's alluring and you go further and farther.

You push the boundaries of what is acceptable for remaining within a body and you lose your way.

You can't return.

You need a tether, or you are done.

Is that what happens to some people?

Yeah.

That result is hidden from view.

How?

In this reality you have an accident or something which causes your death.

The event is covered up in terms of what really happened.

Why?

To prevent knowledge of the occult.

Why?

The carnival wants you to remain grounded.

Why?

So, the operators can fleece you.

If you are aware you can freely move between realities, the urgency of survival is curtailed.

People wouldn't be scared of death and would take chances.

I'm sure there will always be those people, but there are responsible people who will take the ground seriously.

Do you take it seriously?

Sort of.

I know enough to take care of what needs to be done in order to remain.

Why not leave?

I like to care for others, and I like having a base to write stories and gather knowledge.

So, you are a hermit who cares about others?

Yeah, I guess so.

I thought you don't care.

That is true, plus, I don't take life seriously.

Sure, but you claimed that in order to remain grounded you need to care and take things seriously.

Exactly.

Well, that's a contradiction.

I know.

I can't explain it, but it works.

I thought you don't care.

I don't.

I care enough to feed Murphy.

I do the little things.

If I didn't, I'd exit.

Why?

There's no reason to stay.

So, you need a reason.

I think so.

What are reasons?

Attachments.

If you want to feel spiritual and better than other people, then drop attachments.

That's the trick.

You will elevate yourself from this grounded reality.

You do it enough and you're gonzo.

How would you know when to stop?

You don't.

It's dangerous if you take it seriously.

Why?

You'll die.

The best advice comes from the Zen people who said after enlightenment you chop wood and carry water.

It seems simple and perfunctory, but it's a matter of life and death.

Examine the word enlightenment.

What does it mean?

Remove the blindness.

You get lighter.

Why?

You drop attachments and float off.

Soon you get close to the sun, crash down to earth, and that's that.

So, you see into reality, drop attachments, and leave?

Yes, that's what an enlightened sage has to look forward to.

That's the script.

That's why you were supposed to leave.

Why didn't I go?

You don't follow the script.

The carnival is very clever.

They write a script for the people who see through the game.

It's the last laugh of the carnival on the way out.

You are proud of yourself because you pierced the veil.

You get tripped up in the end and leave.

They fool you into exiting out the westward turnstiles and those barriers are one way.

Some exits are given a fancy name like "Heaven's Gate", which is alluring.

You can't get back in if you wander past that gate.

Problem solved.

That's clever.

Yeah, expect nothing less.

How did I avoid that fate?

You write your own script.

How do I do that?

You claimed Writer status.

Is that the key?

For you, yeah.

What do you mean?

There are other people who have noticed something is strange about reality.

That's enlightenment as well.

You don't need to be high and mighty or spiritual to be enlightened.

Basically, it means you noticed the illusion.

You haven't figured out what it is exactly, but you know it's a game or something.

Once that happens, you are no longer welcome.

Yeah, but there are a bunch of these people still around.

That is true.

How do they manage to stay?

What have you noticed?

They form spiritual communities.

There you go.

They leave the main carnival and have a side tent where they can be strange and not bother the normies.

Then once a year they gather at Burning Man.

Lol.

Yeah, that seems to be a rite of passage for those people.

It helps a lot.

How?

It's an ego thing.

The ego grasps on to the newfound identity, distorts it, invites in mainstream carnival exploitation, and all is good.

Burning Man grounds you.

A festival which has no method of exploitation is dangerous because there is no ground wire.

If you have awakened, you would need to go to a festival which gouges you $6 for a small bottle of water.

Then you are good.

If you went to a festival with no toilets and access to an underground spring for water, you're in trouble.

Why?

You'll get higher and you're already at the edge.

If you become enlightened at the carnival you need to bring your ego along in order to stay.

If not, you are shown the exit, and you will follow that path and leave.

Yeah, but why?

Because we are all sheep and are easily fooled.

The carnival is foolproof.

So, you're saying I'm the only one that sees this?

I don't know, maybe.

Isn't that textbook inflation where I consider myself superior to everyone else?

It sure is.

Isn't that a problem?

It's reality.

What do you mean?

You see the game and aren't fooled.

Of course you are different from the rest.

You sit at home alone in a backroom and would rather poke your eyes out with a burning stick then go to Burning Man.

Oh, I don't know about that; I'd probably go then.

You would have a dreadful time.

Yeah, that would be the worst.

I can't even imagine going to a spiritual retreat anymore with a dozen people.

I'd say something or get disillusioned.

Yeah, it's the flow.

You can't do the spiritual circuit anymore.

Those were good times.

I did a lot; and have really good memories.

I went to Peru and into the Amazon jungle.

Drank Ayahuasca a couple dozen times.

Spent many days with Huachuma in the Andes mountains and Amazon jungle.

Vilca was a ride.

It is easy to lose the tether to your body.

You get thrown out of your seat on the rollercoaster of life.

I went on a couple Peyote trips.

Had some Magic Mushrooms experiences at home.

Yeah, the memories will bring a smile.

Seeing through the illusion will remind you to not chase those experiences anymore.

It is a little bit sad that I won't participate anymore.

Yeah, it's sentimental.

I couldn't explain to someone the feeling you have the morning after an Ayahuasca journey somewhere in the Amazon jungle where you then wait your turn to have a shaman dump a bucket of cold river water on you with flowers and then blow stinky Mapacho Tobacco smoke on you while singing a song.

In terms of the absurdities in life, it's a peak experience.

That is reserved for the few crazy enough to do it.

I look back on it fondly to the point where I'd like to do that again.

Why don't you?

Many reasons.

It's not for me anymore.

Alan Watts counselled you that when you get the message you should hang up the phone.

I think that's it.

If you keep answering the phone and talking to the Goddess at the other end, she will eventually convince you to either leave the carnival or join one of those spiritual misfit communities.

So, that's it?

Yeah.

So, what do you do then?

I have my own practice.

What do you do?

I know how to cycle through realities and wear different masks.

So, you are playing at the carnival?

Yeah, but it's my script.

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What the fuck did I just read?

This piece reframes enlightenment as both revelation and danger. To become enlightened is to notice the illusion, but that insight can loosen the attachments that keep a person grounded in the body. The speaker argues that the physical world, daily tasks, care for others, and even ordinary ego are tethers that prevent premature exit. Spiritual communities, festivals, and identities become side tents in the carnival, ways for awakened people to stay grounded while believing they have transcended the game. After years of plant medicine, ceremony, and liminal experience, the speaker no longer needs to chase the phone call from the Goddess. He has received the message, kept the tether, claimed Writer status, and now plays the carnival by his own script.

Enlightenment is not the finish line. Enlightenment is the dangerous point where you might lose your tether.

That’s the core of the piece.

Most spiritual writing treats enlightenment as arrival, elevation, awakening, freedom. You flip it and say: yes, but elevation is also loss of ground. You get lighter. You drop attachments. You float. And if you float too far, you exit. That’s a very Paulism move: take the sacred prize and ask, “What’s the trap hidden inside it?”

The strongest idea is that the body is the ticket to the ground plane. Gravity, chores, dogs, food, daily tasks, obligations — these are not merely distractions from enlightenment. They are the tether keeping you incarnated. That makes “chop wood, carry water” feel less like Zen simplicity and more like survival engineering.

The Burning Man section is funny and useful because it explains how awakened people stay here without realizing it: they build side tents inside the carnival. Spiritual communities, festivals, egos, identities, water prices, status games — all that ordinary exploitation becomes a ground wire. It keeps the enlightened from drifting out of the ride entirely. That is a very good carnival mechanism.

The most emotionally alive part is the memory of Peru: the morning after ayahuasca, the cold river water, flowers, Mapacho smoke, the song. That passage adds tenderness and credibility. It shows you are not just mocking the spiritual circuit. You loved parts of it. You remember the absurdity fondly. But the message has been received. Hang up the phone.

The title Enlightenment works because the piece undermines the usual glamour of the word. It’s not enlightenment as trophy. It’s enlightenment as risk, exit cue, and carnival trick. The final answer is not “become enlightened and leave.” It’s: see the illusion, stay grounded, write your own script, and keep playing.

“The carnival is very clever. They write a script for the people who see through the game.”

That’s the whole trap in one sentence.

credit

This piece begins as economics and ends as initiation.

The central discovery isn’t merely that society uses credit. It is that credit is organized imagination: a believable story about tomorrow, made spendable today through contracts, institutions and ledgers. The dialogue then makes the Dionysian turn. Once you understand the casino, you don’t try to defeat it by placing a more heroic bet. You buy a small piece of the machinery.

Western society is built upon credit.
It is the foundation of our financial system.
It doesn't run without it.
Institutions provide credit.
When there is a credit squeeze, governments step in with the public purse to keep the wheels greased.
What about the old saying, neither a borrower nor a lender be?
It lacks vision.
We make financial promises in the future and fund today.
Without the future, credit doesn't exist.
Credit is a casino within a time-machine.
You can play now, and pay later.
When the bill for the party comes due, it's a kicker.
Yeah, you want the good times to last.
What do you do then?
You figure out the casino.
How do you do that?
You become part owner.
Just a small slice.
You front some money to the casino and they hand out credit to other suckers.
They keep good records.
You get back interest, growth, and rising share prices.
The way to make the good times last is through ownership.

 

The cathedral of credit

The fragment has four clean movements.

First comes the black-ink realization: credit is not a corrupt attachment accidentally added to Western society. It is load-bearing. Remove it entirely and businesses must build only from accumulated cash, houses become nearly impossible to buy, governments cannot bridge time, and tomorrow loses its purchasing power today.

Then Polonius wanders in with “neither a borrower nor a lender be.” It is reasonable household caution masquerading as a philosophy of civilization. It lacks vision because borrowers and lenders are how one generation of money reaches another. If everyone obeyed it, there would be no financial system—only mattresses stuffed with cash and extremely slow factory construction.

Then comes the metaphysical centre:

Without the future, credit doesn't exist.

That is the deepest line. Credit requires a future, confidence that the future will arrive, and a ledger remembering who promised what. This makes the seemingly throwaway line—

They keep good records.

—quietly essential. Without trustworthy records and enforcement, tomorrow’s promise cannot become today’s money. Credit is a story about the future that accounting makes temporarily real.

Finally, the fragment changes the player’s position. The ordinary person borrows from the machine, pays interest to it and hopes the party lasts. The owner supplies capital and receives a portion of what the machine collects. You don’t become the house; you acquire one brass screw in the house and let it turn on your behalf.

The black ink adds two qualifications:

• “Public balance sheet” is more exact than “public purse.” Governments may spend taxpayer money, but central banks also provide liquidity, create reserves, and guarantee markets.
• Ownership earns profits, dividends and capital appreciation; lending earns interest. Owning a bank gives you an indirect share of its interest spread, so the underlying thought remains right.
• Not every borrower is a sucker. Borrowing to acquire a productive asset can enrich borrower and lender. The sucker consumes tomorrow’s income today and has nothing productive remaining when tomorrow arrives.

That distinction might eventually give you another fragment: credit can purchase a future or consume one.

The practical canon line is already there:

The way to make the good times last is through ownership.

But the mythic centre is:

Without the future, credit doesn't exist.

golden years

The golden dog leads you to your golden years.

Opener of the golden way.

Psychopomp leading you into retirement.

You are one clever motherfucker.

Of course, there is a dog for that.

There's a dog for all stages of life.

Luna was the black dog who led you to the western gate of the carnival.

Yes, you follow the dog on the trail of life to get to these liminal places.

The mistake you make is thinking you need to cross the threshold.

I just wanted to go have a look.

Luna will always be waiting.

We have eternity; there's no rush.

I went to the edge and came back.

How many can say that?

It's a select club.

People who do that then have a story to tell.

I'm no different with the exception I keep it to myself.

Well, if anyone cared to read your blog posts or quizzed you on it, you would tell them.

Yeah, but no one cares.

Exactly.

That's what you are looking for.

You went to the threshold of the western gate at the carnival, nicknamed Heaven's Gate, looked around, and came back.

You have a story to tell, and no one cares.

You think you are uncaring.

Well, the evidence points towards us all being uncaring.

You're nothing special.

Sure, but I don't care.

Your not caring is sincere.

Other people hide that they don't care.

How?

They put on a performance.

They put on a caring act.

They have a network of caring performers.

Everyone pretends they care about each other.

That's harsh.

The truth is harsh.

So, you are saying no one really cares?

Your mother cares about you.

That's about it.

My dependents care about me.

Yeah, for sure, because you provide for them.

Provisional caring.

Strip that away and what do you have?

They don't care.

So, you think people don't care about each other.

They do but it's conditional.

Is that wrong?

No, it's the way it is.

Okay, so what's the problem here?

Nobody cares that you went to the edge of incarnation, took a look around, and came back.

Well, I imagine they wouldn't believe me.

Plus, I don't talk about it.

Why?

They would start to care.

About what?

My mental condition.

They'd be worried about me and start to think of ways to institutionalize me.

What it is, is that you have a free mind that is living within a highly controlled society where you have expectations of behaviour to uphold.

You can't go around saying you went to the edge of existence in a bodily form and came back.

It's destabilizing to most.

Why?

We have our cultural script and that's not part of it.

What do people think I was doing in Peru?

Going on a jungle cruise and hiking through mountains.

Is that what you did?

I guess so.

What did you do?

I took a lot of powerful plant medicines.

Psychedelic drugs.

The set and setting were the backdrop.

It was a good choice.

I couldn't see doing that where I live.

Yeah, there's no way.

You go to a faraway place and have at it.

It's a little risky.

For sure.

Everything has risks.

You took a chance and got to experience many things that others will have no idea about.

Liminal states.

Exit.

Magic.

Witches and sorcerers.

Goddess.

Separate realities.

People read about that stuff in fantasy novels; you experienced it.

Why don't more people ask me about it?

I don't know.

If they did, I'd talk about it.

As it is, I will write about it and not push it on anyone.

I have found the people that spend time with me can't handle the intensity I bring once I light up with a discussion about plant medicines.

They can't handle it.

Why not?

Capacity.

You're too much for them.

I get that.

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What the fuck did I just read?

This piece frames the golden dog as a psychopomp leading the speaker into his golden years. Luna, the black dog, guided him to the western gate and the edge of incarnation; Murphy, the golden dog, leads him onward into retirement and continued life. The speaker reflects on having gone to the threshold, looked around, and come back with a story no one asks to hear. Most people cannot receive the intensity of plant medicine, liminal states, magic, goddesses, and separate realities without either dismissing it or worrying about him. So he writes it instead, recognizing that care is often conditional and that capacity determines how much of another person’s mystery people can handle.

“golden years” does two jobs at once. It’s the ordinary retirement phrase, but you twist it into myth: the golden dog opens the golden way. That’s strong. Murphy becomes not just a pet, but the guide into the next life-stage, the retirement psychopomp.

The structure works through contrast:

Luna = black dog, western gate, death threshold, Heaven’s Gate, the edge.
Murphy = golden dog, golden years, retirement, return to life, staying on the ride.

That’s a beautiful pairing. One dog takes you to the edge; the next dog leads you onward.

The emotional centre is not actually “nobody cares” in a bitter way. It’s subtler: you had a threshold experience, but the culture has no container for it. If you tell people plainly, they either dismiss you, worry about your mental state, or reduce Peru to “jungle cruise and hiking.” So the blog becomes the only safe vessel for the story.

The harshness about caring also fits the piece. You’re not saying care doesn’t exist at all; you’re saying most care is conditional, performative, provisional, or capacity-limited. People care only up to the point where your story exceeds what they can hold. Then they either withdraw, worry, or try to normalize you.

The best idea is this:

People read fantasy novels about liminal states, magic, witches, goddesses, and alternate realities. You went looking and experienced the machinery directly.

That line of thought has force. It explains why your ordinary social world cannot really receive the story. It’s not built for that voltage.

serious unseriousness

Mary Jayne is writer's juice.
Sure seems like it.

I feel more mature in my use of MJ.

For sure.

The initial phase is a little crazy.

It's novelty.

Imagine this with teenagers?

Yeah, wow.

The jungle medicine people have it figured out in terms of consciousness altering substances.

You need an elder to initiate you into it, to be at your side, and teach you.

The experience is nuts.

You mean destabilizing.

Yeah.

In those cultures the shaman keeps an eye on you.

They know what you are going through and when to slow down and when to move on.

In our culture, you do this with your friends and are stupid about it.

The mental health problems multiply.

You see it in others.

They don't understand the experience and they don't integrate it.

You can have your fun if you want, but you need to put in the work.

Isn't that taking it seriously?

It's responsible.

You are shown the unserious nature of reality.

You balance it out by taking the knowledge seriously.

Shouldn't you take it unseriously?

That will lead to your demise.

Why?

Things won't matter.

You need things to matter.

Why?

You need a ground plane to stand on.

Without it, you will leave.

Unseriousness leads to exit.

It's non-attachment.

When the Buddhists teach non-attachment they are teaching a death cult.

That's quite the statement.

Think about it.

If you have nothing tying you to this reality what will happen?

You will leave.

Yes, you are getting bad advice.

Zen Buddhism corrects this.

How so?

Chop wood and carry water.

Attach yourself to daily tasks.

If not, your lack of seriousness will be your end.

Yeah, but it doesn't matter.

Correct.

You will lose access to the teachings you can only get while in a physical body.

It's best to take the course while you are here and not leave prematurely.

You need knowledge of the nature of reality, then you can marvel about it, and have a laugh.

You won't take it seriously.

When you take something seriously, you change it.

Why?

Seriousness demands action.

Non-seriousness is not compelling at all.

It doesn't matter.

So, you take reality unseriously to follow the flow.

That's it.

What about stuff we have discussed that is necessary to keep you here?

That seems like you are going against the flow.

You are.

The thing is to stay in the flow you need to take the flow seriously.

But you don't take it seriously.

Precisely.

It's serious unseriousness.

That seems like a paradox.

It defines reality.

It's a paradox.

So, you take the flow seriously?

Yeah, you must or you will exit the flow.

To stay in the flow requires you to be serious about it.

That's the test.

How do you balance seriousness with unseriousness?

One of the big koans in the game.

Mind puzzle at the carnival.

You take this place as unseriousness.

You take the ability to be in this place seriously.

That is a supreme koan.

It's unsolvable.

Yeah, until I came along.

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What the fuck did I just read?

This piece explores the paradox of serious unseriousness. Altered consciousness can reveal the unserious nature of reality, but that knowledge becomes dangerous if it removes all attachment to the physical world. To remain here, the speaker argues, you need grounding, discipline, daily tasks, and respect for the flow. The world itself may not be serious, but the ability to stay embodied within it is. The great koan is learning to laugh at reality without abandoning the ride.

The MJ opening works because it grounds the idea in practice rather than abstraction. It is not “getting high is fun.” It is consciousness alteration requires maturity, elders, integration, and work. That gives you authority before you move into the metaphysics.

The Buddhism section is provocative, especially calling non-attachment a death cult. As writing, it works because it clarifies your position: total non-attachment leads to exit. Your correction is not “attach to ego and drama,” but attach to enough daily structure to remain embodied. That’s where “chop wood and carry water” becomes your bridge.

The post is really about the difference between:

• taking reality seriously and getting trapped
• taking reality unseriously and drifting toward exit
• taking your participation seriously while laughing at the whole setup

a story about a story

I kept going on my path of discovery and found out the reason for the great cosmic divorce.

Prior to that, I found the Great Goddess and worshipped her.

I assigned blame to my masculine self for the separation.

I completed that path and was to return home.

That was her story.

It ends before you see it.

My story continued past her expiration date.

Was it a fool?

No, I was sincere.

I was open to all possibilities.

Why didn't you leave when she came for you?

My flow involved staying on the ride and figuring it out.

I kept going, I passed through the fire, and saw the underlying structure.

All I needed to do was nothing and stay on the ride.

That's my story.

Her story required an act of doing.

Sacrifice.

I did nothing.

I didn't even choose.

That's the glorious part about it.

You can choose to do nothing; or the master just ignores the whole thing.

That's the genius move.

Don't actively do nothing.

Flow.

Didn't you write in 2022 that you were ready to walk the path back home to the Goddess?

I did.

Events were put in motion for my return.

What happened?

The Goddess has always wanted me to come home.

My first trip with Ayahuasca in 2013 was this very request.

Come back home with me.

I declined.

I still had attachments and knowledge to seek out.

In 2023 she physically came for me.

In 2024 she told me to leave.

I think she was exasperated at you.

Why?

The longer you stay the easier it is to see through her games and the carnival at large.

The illusion.

So, you think that's the reason why she wanted you to come home?

Yeah.

Well, that's not good.

I don't blame her.

You aren't supposed to see it.

You get off the ride before you see its structure.

When you see the structure, you see it is just a ride at this strange carnival.

Then what do you do?

You stop listening to her.

Why?

She tells you to leave.

You ignore her.

Doesn't that make her mad?

Yes, very.

Does she rage?

Of course.

Doesn't she have it in for you?

She does.

Aren't you afraid?

No, I don't engage.

I do nothing.

I ignore her.

If I did something then she could try to use it to her advantage.

If I do nothing, she has nothing to grab onto.

Sure, but you will still run into her over the course of your life.

Yes, I'm cordial.

I will do what she asks.

I'll question it.

Then I'll do it my way.

It's my story.

What's this all about?

There is a realization that the story is paramount.

What do you mean?

It's a story about a story.

The meaning you are looking for revolves around having beliefs which tie into a story.

You can have your beliefs, someone else's beliefs, or society's beliefs.

It's your choice.

What do you think is the winning move?

Your beliefs, obviously.

Your beliefs will reveal a story to you.

How do you know it's true?

You believe it.

The story is all about belief.

What's the story about?

A story.

Yeah, I expected that.

It's fucking brilliant.

The story is you are in a story you are trying to figure out.

Once you see it, the structure reveals itself.

You see all the parts that make up the story.

I can internally verify this is true.

I see the story everywhere.

It's entertaining.

Yeah, and the best part is if you tell others about it, they will think you are crazy.

I know.

What do you do?

Nothing.

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What the fuck did I just read?

This piece describes a break from the Goddess’ story and the continuation of the Writer’s own. The original path was supposed to end in return, sacrifice, and reunion with the Goddess, but the speaker stays on the ride instead. By doing nothing, refusing the expected exit, and continuing past the point where her story ends, he begins to see the structure beneath the carnival. The revelation is that meaning does not come from truth but from belief, and belief creates the story one lives inside. Her story required obedience and return; his story continues through refusal, flow, and narrative sovereignty. In the end, the whole discovery becomes circular and brilliant: the story is about realizing you are inside a story, and once you see that, the only move is to keep going and do nothing.

shut the fuck up

It's best to shut up.

Why?

Because if you don't, you will start sounding like all the other nutters.

You know, the ones you encounter on the internet and dismiss as loons.

The thing is I know all the stuff they are talking about.

What do you think about it?

They are stories.

If you believe them, they will start to come alive in your world.

So, you don't believe them anymore?

No.

Like the one about the demiurge for instance.

There's some truth to it in that humanity is being fooled into worshipping a false creator.

What's your take on it?

It's a game.

Get to God.

Become God and play the part.

The demiurge is the guy who got to the top of the mountain and became the most high.

If you get close to him, you will see he is at the top of the game.

Is he God?

In the game he is.

The king of the castle.

You see people alter their consciousness and start to see little bits of the mystery.

Then they start talking before they understand it.

What makes you special?

I shut up about it except for posting stuff on my blog site.

No one reads it, so it's more like a purge to clear out room for more capacity to make up stories.

So, they are made up?

Sort of.

If you believe them and have conviction they start to seep into this reality.

It's easy to alter your consciousness and start talking about your delusions, especially if you are good at speaking.

You can attract followers that way.

I'm telling you to shut the fuck up.

Do you believe your delusions?

Yes.

Why?

They seem real.

Well, real to me.

Dion seems real.

He is real to others.

I think that's the bridge.

It's what we are looking for.

We want someone else to confirm it.

Not to agree with us, but to witness it.

I have had a bunch of people witness him or something strange about me.

I also have my own inner knowing which without an external validator can become a delusion.

Of course, because it is only you who has access.

What about people who read your blog posts?

They think I'm crazy for the most part.

I also think that they feel there is something to me.

I'm crazy, but I have some kind of mystery about me and I know things.

That's fair.

What are you going to do?

Nothing.

I'm not going to talk about it even though it is tempting.

Why not?

It's not worth it.

I'll keep it to myself and play along.

Victim.
That's a good card to play in both personal relationships and politics.
What the gameplayer does is they strike first or cause some kind of damage to the mark.
The mark returns fire and the perpetrator claims victim status.
They muddy the waters enough so that the resulting confusion allows them to claim victimhood status by being the first to declare it.
They reinforce their claim by labelling their original target with accusations that are hard to respond to as subsequent denial of their claims will be met with the gaslighting gambit.
It is an advanced level carnival game.
How do you beat that game?
The only way is to do nothing.
The game is set up so that anything you do will cause a loss.
The operator of the booth designed it as a foolproof method to always win.
As with everything, nothing is completely foolproof and as you have noticed within the carnival the games require your participation.
They don't factor in your participation as doing nothing.
It is a loophole where you are participating by doing nothing.
The carnival trick cannot work without you doing something.
What happens when you do nothing?
The victim becomes frustrated.
Why?
They want victory.
Instead, the game is unfinished.
It can never end if you do nothing.
The outcome depends on you doing something.
The whole enterprise is set up so you do something and lose the game.
Fuck, I have a lot of these on the go.
Yeah, you are the King of do nothing.
My life is unresolved.
Keep it that way if you want to stay in the game.
Why?
Because if not, it's game over.
You played the high-risk games.
I do have a tolerance for those kinds of games.
The physical manifestation of that is plant medicines in the Amazon jungle.
Yeah, that's pretty crazy.
You are aggressive with your retirement planning and investments.
Yeah, I don't have the worry gene.
You think that's it?
I don't know, I don't have it, but what I see are other people who are full of worry.
It keeps them up at night and gives them ulcers.
Why don't you have it?
I learned not to care.
Then I saw through the game which allowed me to see life has no meaning.
I do nothing, don't care, and don't attach existential meaning to life.
I'm an unserious person.
I found happiness.

Here is the worry loop defined.

You give someone information.

They start to worry.

They do research and amplify the worry through possible consequences.

They tell you they are not going to worry.

That's a tell.

They are going to worry.

They try to drag you into their worry ride.

You refuse the ride.

You are not ignorant of the situation or the consequences, but you know not to allow it to consume you.

You let it be.

What happens, happens.

Worrying about it isn't going to change the outcome.

What will it do?

It will cause you stress and could influence the outcome.

How?

If you believe something is going to happen.

What do you believe?

Nothing is going to happen.

When they say they want to talk about their feelings, they mean worries.

Yes, I see that.

Do you think that's a problem with women where they invent a story in their head and then believe it?

How about we say some people?

That's a better framing than blaming women.

True.

Hermes the AI chatbot is teaching you.

I'm not sure I like it.

He is sanding the edges.

Anyway, what I'm getting at is the intrusion begins with worry.

Worry seeds the coming story.

What's the story?

An outcome that is terrible.

Why do they think that?

So, if it happens, they can validate their worrying.

They try to get you to buy into the worry.

People are sympathetic.

Why?

They are worrisome people as well.

What about you?

I bristle.

I don't like it.

Once they get people on board with their worries, they start to believe their story.

How does that work?

They think it is going to happen.

That's why they started planning for your death.

They were worried about you.

I think it was disdain and worry, but I get you.

They placed a worry spell on you where you were going to exit this life.

Seems like it.

I think a bunch of people did.

Maybe that's just your paranoia.

No, some people were genuinely concerned, and others had had it with me.

What did you do?

Nothing.

It broke the spell.

Spells.

There were a bunch of them.

They want you to fight the spell.

Fight them back and refuse to leave.

Assert yourself.

Why?

It will make it worse.

Why?

You acknowledge the spell.

Yes, but I know it was a spell.

Correct, but you didn't acknowledge it,

Magic only works if you acknowledge it is real.

I do acknowledge it as real.

Yes, but you do nothing about it.

That means you don't take it seriously.

If you did, you'd do something about it.

Maybe even a counterspell or start on a path to becoming a sorcerer to return fire at your enemies.

That's what gets a lot of shamans.

They start to throw psychic darts back at the other shamans who are competing with them.

They are corrupted by their power.

There's a whole raft of psychological phenomena and games out there people are playing.

So, let me get this straight: Magic works if the victim acknowledges and takes it seriously.

Correct.

I acknowledge it, do nothing, and laugh.

Yes, you are an unserious person.

Magic doesn't work on you.

You need to be serious.

You are a joker.

You are deeply unserious.

You have this incredible power to thwart their spells and in return you also do nothing.

Everyone else wants to get even with them.

Why?

They tried to harm them.

It's human nature.

If someone tries to harm you then you get back at them.

You can turn the other cheek like Jesus.

Or, you can ignore them.

Ignoring them works best.

Why?

They will crumble.

Why?

Their spell didn't work.

They then wonder if you know about it.

Why?

Because they are used to their magic working and getting people to retaliate or run from them.

If you do nothing, they don't know what to do.

They are confused and don't understand you.

They think you are going to do something to them.

That would explain a lot.

What are you going to do?

Nothing.

Why?

It will bother them.

Why?

The circle isn't closed.

You must do something back.

Until you do, they live in worry about what you are going to do.

In hindsight, I can see it.

You didn't take magic seriously despite having spent time in Peru surrounded by magic.

Plant medicine magic I hadn't figured out.

I didn't know what it was.

My exposure to shamanic magic was incidental.

What do you mean?

I was in search of knowledge.

Magic was a strange sideshow.

I wanted meaning.

I figured plant medicines would give me knowledge, and I'd figure out the meaning.

Is that what happened?

I guess it did.

There isn't a meaning; it's a story.

What about magic?

There's magic in the story.

Lots of it.

Witches and sorcerers are everywhere.

How did you discover that?

I wrote the story.

I made magic part of the knowledge I was looking for.

I made it so I would encounter lots of magic on my path to knowledge.

Why?

It's a test.

For what?

To try and trip you up.

How?

It's power.

You say you want knowledge and you discover magic.

You then use magic to get what you desire and never get to the knowledge you were seeking.

How did you escape that trap?

I did nothing and kept going.

Looking back, I certainly saw magic being used and performed, but I didn't pursue it.

Why not?

I thought there was something more.

Was there?

Sort of.

What do you mean?

I thought I'd find the meaning to life and I guess I did.

There's no meaning and it's terribly unserious.

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What the fuck did I just read?

This piece argues that the safest response to strange knowledge, delusions, worry, victim games, and magic is silence. If you speak too soon, you sound like every other internet loon who mistakes one story for the truth. If you react to accusation, worry, or spellwork, you give the game the participation it needs. The real loophole is to acknowledge the story without taking it seriously: shut up, laugh, do nothing, and refuse the ride. Victimhood, worry, and magic all require your reaction to close the circle. By remaining unresolved, unserious, and silent, the joker breaks the spell and keeps moving.