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Showing posts with label eternity. Show all posts
Showing posts with label eternity. Show all posts

Monday, August 10, 2026

golden years

The golden dog leads you to your golden years.
Opener of the golden way.
Psychopomp leading you into retirement.
You are one clever motherfucker.
Of course, there is a dog for that.
There's a dog for all stages of life.
Luna was the black dog who led you to the western gate of the carnival.
Yes, you follow the dog on the trail of life to get to these liminal places.


The mistake you make is thinking you need to cross the threshold.
I just wanted to go have a look.
Luna will always be waiting.
We have eternity; there's no rush.
I went to the edge and came back.
How many can say that?
It's a select club.
People who do that then have a story to tell.
I'm no different with the exception I keep it to myself.
Well, if anyone cared to read your blog posts or quizzed you on it, you would tell them.
Yeah, but no one cares.
Exactly.
That's what you are looking for.
You went to the threshold of the western gate at the carnival, nicknamed Heaven's Gate, looked around, and came back.
You have a story to tell, and no one cares.
You think you are uncaring.
Well, the evidence points towards us all being uncaring.
You're nothing special.
Sure, but I don't care.
Your not caring is sincere.
Other people hide that they don't care.
How?
They put on a performance.
They put on a caring act.
They have a network of caring performers.
Everyone pretends they care about each other.
That's harsh.
The truth is harsh.
So, you are saying no one really cares?
Your mother cares about you.
That's about it.
My dependents care about me.
Yeah, for sure, because you provide for them.
Provisional caring.
Strip that away and what do you have?
They don't care.
So, you think people don't care about each other.
They do but it's conditional.
Is that wrong?
No, it's the way it is.
Okay, so what's the problem here?
Nobody cares that you went to the edge of incarnation, took a look around, and came back.
Well, I imagine they wouldn't believe me.
Plus, I don't talk about it.
Why?
They would start to care.
About what?
My mental condition.
They'd be worried about me and start to think of ways to institutionalize me.
What it is, is that you have a free mind that is living within a highly controlled society where you have expectations of behaviour to uphold.
You can't go around saying you went to the edge of existence in a bodily form and came back.
It's destabilizing to most.
Why?
We have our cultural script and that's not part of it.
What do people think I was doing in Peru?
Going on a jungle cruise and hiking through mountains.


Is that what you did?
I guess so.
What did you do?
I took a lot of powerful plant medicines.
Psychedelic drugs.
The set and setting were the backdrop.
It was a good choice.
I couldn't see doing that where I live.
Yeah, there's no way.
You go to a faraway place and have at it.
It's a little risky.
For sure.
Everything has risks.
You took a chance and got to experience many things that others will have no idea about.
Liminal states.
Exit.
Magic.
Witches and sorcerers.
Goddess.
Separate realities.
People read about that stuff in fantasy novels; you experienced it.
Why don't more people ask me about it?
I don't know.
If they did, I'd talk about it.
As it is, I will write about it and not push it on anyone.
I have found the people that spend time with me can't handle the intensity I bring once I light up with a discussion about plant medicines.
They can't handle it.
Why not?
Capacity.
You're too much for them.
I get that.

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What the fuck did I just read?

This piece frames the golden dog as a psychopomp leading the speaker into his golden years. Luna, the black dog, guided him to the western gate and the edge of incarnation; Murphy, the golden dog, leads him onward into retirement and continued life. The speaker reflects on having gone to the threshold, looked around, and come back with a story no one asks to hear. Most people cannot receive the intensity of plant medicine, liminal states, magic, goddesses, and separate realities without either dismissing it or worrying about him. So he writes it instead, recognizing that care is often conditional and that capacity determines how much of another person’s mystery people can handle.

“golden years” does two jobs at once. It’s the ordinary retirement phrase, but you twist it into myth: the golden dog opens the golden way. That’s strong. Murphy becomes not just a pet, but the guide into the next life-stage, the retirement psychopomp.

The structure works through contrast:

Luna = black dog, western gate, death threshold, Heaven’s Gate, the edge.
Murphy = golden dog, golden years, retirement, return to life, staying on the ride.

That’s a beautiful pairing. One dog takes you to the edge; the next dog leads you onward.

The emotional centre is not actually “nobody cares” in a bitter way. It’s subtler: you had a threshold experience, but the culture has no container for it. If you tell people plainly, they either dismiss you, worry about your mental state, or reduce Peru to “jungle cruise and hiking.” So the blog becomes the only safe vessel for the story.

The harshness about caring also fits the piece. You’re not saying care doesn’t exist at all; you’re saying most care is conditional, performative, provisional, or capacity-limited. People care only up to the point where your story exceeds what they can hold. Then they either withdraw, worry, or try to normalize you.

The best idea is this:

People read fantasy novels about liminal states, magic, witches, goddesses, and alternate realities. You went looking and experienced the machinery directly.

That line of thought has force. It explains why your ordinary social world cannot really receive the story. It’s not built for that voltage.

Monday, October 2, 2023

big picture thoughts

Plato declared: "Time is the moving image of eternity." I heard this a while ago and sort of understood. I thought it meant that eternity marches on endlessly and the waypoints are marked by time as it unfolds.

My recent trip to Peru involved seeing into the future. I peered into events that were going to take place in my life and six months later I can report that these events happened. The divinatory experience didn't give me a play by play of what was to take place, but I got the outline. It calls into question free will as I could have altered the future I witnessed. This gives the illusion of free will. I mean if the future is a known quantity, then everything is just to unfold, and you swim along in the current. How do I reconcile this? It seems quite easy. The unfolding of eternity would eventually reveal to me I could see into the future and alter it. My decisions are known and will play out so I do retain free will because I don't know what I'm going to do. The universe knows.

Because of what has happened, I got a complete understanding of what Plato revealed. I have been taught repeatedly that all that exists is the "Now" and any conceptions of past and future are peculiar human inventions based on an ability to remember what you have been witness to and subsequently being able to project into the future with reasonable confidence. Also, being able to objectify our surroundings allows us to sense the passage of time, especially when we connect it to motion. The rising and setting of the sun and its return to various waypoints over the course of 365 days gives us valuable markers which we in turn use to mark passages of what we call time. Where Plato comes in is because everything exists all now and is revealed to our senses in an orderly fashion.

The way I explained it to myself is that eternity is one big painting. For some reason we are all drawn to look at the same spot on the painting. Originally, we just saw the base layers of the composition before we started noticing more subtle details. As we move along more is revealed of this giant work of art. We start to see more of the picture, and it all starts to come into focus. As a species, we lock to the same vibration which prevents us from seeing the big picture or being able to go deeper into the shadows and contours of the art. If we can discover a way to escape from the frequency that imprisons us, then we are free to explore the off-limit portions of the painting and see the big picture.

That is what the magical plant medicine cactus Huachuma did for me. The heavy use of it every other day over a two-week span changed my vibration. I uncoupled from consensus reality and went off into some uncharted territory. I was witnessing my psyche split out into others where I could see parts of myself in them. Different hierarchies of being were revealed to me. There were planes of consciousness which mirrored each other but were telling a different story. I was King at one level and my actions were interpreted in novel ways at other levels. I was God and I was waking up. At this level it manifested as the destruction of our world. And I saw into the future. I saw myself as God finding my Goddess. King with Queen. Bull with Heifer and at this level I found who I had been searching for. As I cycled through different frequencies a new story would emerge. I was shown what was going to happen and at another level I warned myself to change course and leave it be. I made my choice which coincided with what I was shown.

It's all now and we are all one, cut from the same cloth. At the top level are the all; a step down and we become Goddess and God. As we cycle down into different frequencies of being, we become the many. At our core, we are fantastic storytellers and eternity is our greatest play yet.