Along with an inflated ego, humans also like to collect things.
They are related.
I noticed I now have a collection of ChatGPT generated images that were made from my input.
Without my say so, they would not have come into existence.
It's a form of magic if you wish to loosely apply the definition as in a conjuring.
I am making plans to keep and possibly display the images.
They help form my identity.
Well, Sherlock, why don't you add up the clues?
Okay, ego and identity are intertwined.
Correct.
Why are they important?
Role play.
Correct.
Why do you need a role?
You are a character in a story.
So, using the reductive method of science shows you that reality is based on a story.
Sort of.
The sets are props aren't derivative of that, and they don't follow your logic.
Well, they aren't characters per se.
They are the stage.
Physics is the science of figuring out the sets and props of the story.
Psychology is the science of figuring out the actor.
We know we are an actor; however, we haven't taken the intellectual leap to acknowledge it.
Why not?
Meaning collapses.
We are still searching for meaning.
Does a Hollywood actor search for meaning within a role?
Sort of, I mean if they want to sell it and win awards, they do.
They become the character and the audience is wowed.
You can do the same.
What happens when the movie or story reaches an end, but refuses to go?
It gets absurd, less compelling, and kind of stupid.
It's like the whole "Jump the Shark" motif.
When interest in the show or performance starts to dwindle, the absurdity is taken up a notch.
That's how you know the end is near.
When things get strange, the production has peaked and is heading downhill.
Do you see that in what is called real life?
Yeah.
What do you think?
We take our roles seriously.
The ubiquitous "they" or the "powers that be" is the story.
Yes, it is your responsibility to ascertain the collective story and then fit into the story.
Do your part.
Play your part.
Do you see it?
Yeah, but nobody else does.
They will say I'm crazy if I discuss it.
At best, I will be told it's an interesting analogy, however, it is not serious.
Why?
Performances would collapse if they aren't taken seriously.
Why is that?
Nobody would care.
We'd wonder what the purpose is?
Don't we do that now?
Yes.
What's the difference?
We don't know what the purpose is.
If we figure out the purpose, then the whole carnival tent comes tumbling down.
Then you have a bunch of out of work actors.
What happens then?
Revolution.
New story.
We revert back to how things used to be.
What is that?
We become animals.
An animal has no part in the play.
They are beyond the pale.
The pale delineates the limits of the story.
You perform your role within the pale.
If you aren't going to play, you must leave.
If you try to figure out what the fuck this all is, you are told to leave.
By whom?
The powers that be.
The story.
Why?
The story is paramount.
Doesn't someone have to wake up and inform others of this?
Yes.
What would you call them?
A union leader.
That's funny.
Or, a bodhisattva.
You gather everyone together and tell them what's going on.
Tell them to stop acting unless the Writer gives in to your demands.
What would be the demands?
Equality, equity, or some kind of mumbo jumbo, kumbaya thing.
You mean like Communism?
Yeah, or Utopia.
So, Communism threatens the story?
Yeah, it will get dull in a hurry.
The only interesting things in that story are those at the top of the Communism pyramid because of the power they have over the people.
In the story, power is destabilizing; therefore, the antics of those in charge will keep the story alive, but it will be dreadful for the actors who have unionized into an extreme form of socialism.
Competition keeps the story going even for those with lesser roles.
Capitalism is best for all.
Sure, but it creates a lot of disparity, inequality, and cruelty.
The story engine thrives on that.
What would the do-gooders do without exploitation?
I don't know.
They would become destructive.
They would create situations that allow them to do good.
So, you are saying do-gooders are the ones who are creating the problem?
I think they contribute.
The problem is the story.
There is no story unless there is asymmetry and then some peculiar need to return to symmetry.
We all seek balance.
The rollercoaster goes up and we push it down.
It gets too low, and we strive to get it to return.
We miss the midpoint and the merry-go-round keeps turning.
That's pretty much it.
Is that materialism or idealism?
It's both.
It's not applicable.
Why?
There are actors, non-actors, along with sets and props.
Put whatever label you want on it.
Production?
Sure.
Existence is a production.
We argue over the origin of the production.
We are all trying to do our part.
Why?
To keep the story going.
That's what we are doing through reproduction.
Creating more actors to keep the performance moving through time.
The faces change, the sets and props are improved, and the story continues.
When you studied ancient Egyptian thought, you concluded that a lot of it was inversion of physical norms.
That is correct.
What were your conclusions?
I kept seeing that funerary literature and references to the dead were describing the state of being ignorant.
Coming forth by day to me was their term for awakening.
Is that the scholarly consensus?
No.
Are you okay with your interpretation being off?
Yeah, because I think for an outsider, that is how you must understand it.
Why?
We take people literally.
If you read the texts literally, then it is liturgy for the dead.
Osiris is the god of the dead.
He's sacrificed, mummified, and inert.
He is awakened, Isis procreates with him and engenders an heir.
She raises him from the dead in this realm.
It's quite the tale.
So, you are saying Osiris is the symbol for the soul being ensconced in matter.
Yes, something dense like wood, so the myth in matter is a coffin, like in the Anpu and Bata tale where the coffin floats to the shores of Byblos and the soul becomes inherent within the trunk of a tamarind tree.
Your knowledge is next level.
Yes, I have learned to shut up about it.
Why?
No one understands me.
Is that a problem?
Yes, at first because we seek validation or we drop the idea.
I never dropped the idea.
I shelved it and then went from Egypt into the Amazon jungle and carried the myth with me.
Individually, we are to awaken this principle within us.
Yeah, this means the West becomes a symbol for the internment of the soul into matter.
Or, for most of us, the release of that principle when we drop the body.
What is the East?
The birth of the physical body or the release of the soul.
Awakening.
Your awakening triggers a symbolic event of being born in the East.
Then you are to leave.
Why?
You see through the game.
You reach Nirvana, Moksha, etc.
In the ancient Egyptian myth, Osiris engenders an heir through magical means and then once Horus is birthed, Osiris is discarded once again.
He dies twice.
You are spiritually born, interred in matter, resurrected, and then you die again.
Ah, I see that.
Isis had to use magic to procreate with Osiris after gathering his discarded remains.
Yes, her magic was proto-boner pills.
Of course.
I have an image I photographed from Abydos of that scene.
Yeah, Osiris is laying on his back, fully erect, while Isis as a kite bird hovers above him.
What do tourists think of that?
It's off the beaten path.
Mostly avoided.
It's an effort to get to Abydos.
It's worth it though.
So, what does this all mean?
Awakening is a process.
When accomplished, the signs are unmistakable.
There's no confusion in regard to your awakening.
Have you seen them?
Yeah.
I'm awake.
So?
Osiris leaves.
I haven't left.
I'm at odds with the myth.
Oh.
Is that a problem?
Yeah.
What are you going to do?
Nothing.
Why?
I don't have to.
But the story says you must leave now.
I know.
That's the fun part of it where I have next-level understanding.
Which is?
You don't have to follow the story.
Why not?
There's no enforcement other than other people telling you what to do.
Stage direction.
So, you ignore them and do nothing.
That seems to be the key to your philosophy.
Yes, Lao Tzu taught that.
The ancient Egyptians didn't know about it.
They followed ma'at.
Ma'at says it's time to go, buddy.
You ignore her.
So, you are saying the production doesn't have executive producers?
Sort of, they are part of the production.
In the hierarchy, the executive producers are part of the story, not outside of it.
They must act from within the story.
Can you ignore them?
Yes.
How?
Make it part of the story.
If they were outside the story, then they could eliminate you by fiat.
How?
They would tell the writer to get rid of you.
You are the Writer though.
Yes, I'm outside the story and within the story.
So, you are basically Osiris.
Correct.
The difference is that I ignore Isis.
Why?
She will tell you to leave.
The subtext of my divine play is in order to awaken and remain within the play, you must ignore women.
So, she is correct.
What do you mean?
She said that you are a misogynist.
How so?
You ignore women.
How does that make me a misogynist?
It doesn't really.
However, that's one of the major themes in your story.
Ignore women.
Yes, but it's how you awaken and stay incarnated.
It's story-craft.
Misogyny?
No, ignoring women.
It's the same.
No, it's not.
They are two separate things.
I'm not so sure you can argue this.
So be it.
The judgment scene from the ancient Egyptian Book of the Dead is about the monster Ammit coming for you.
It's a scene where as a man you are judged by the standards of women.
If they don't like you, off to Ammit for you.
If you pass, they cut off your dick, and you become mummified like Osiris.
I guess I didn't pass judgment and Ammit showed up.
I think they cut your dick off regardless.
You may be right.
You are emasculated and mummified.
I think as Osiris you accept it.
I didn't do either.
This judgment scene has a binary outcome.
You are convinced those are your only two options.
What if you rejected them?
Nobody ever did until you came along.
First, you passed on leaving when they sent you to Osiris.
You didn't bother going.
Then they came and failed you with the second judgment and sent you to Ammit the monster.
You never engaged her when she came for you.
Now, you are free of judgment.
Maybe that's the game?
Well, it's the ultimate move.
Free yourself of judgment.
Everyone thinks it's the white light and Osiris you head to when afforded that judgment.
The image is instructing you to head that way.
The response of the one who knows is to avoid judgment.
Get your freedom from judgment.
Neither outcome offered is great.
Women think all men are guilty.
The witches give you two choices.
You stupidly pick one.
They give you an out when they come for you.
The game is initiated.
You take it.
You didn't.
That's why you got her coming for you.
Ammit.
She came to fulfill her role.
Ammit drags you down into the abyss and shows you your misdeeds.
Then devours you.
It's a good story.
It takes belief.
She gets you to believe she has come to destroy you.
Ignore women.
Yes, they tell you to leave.
That's their role in your life after they birthed you into this world.
East to West Goddess.
Men are scared of the Goddess.
Just ignore her.
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